1 00:00:00,210 --> 00:00:08,610 The very first item we are going to take now is going to Nada Sindhu, whatever. 2 00:00:10,380 --> 00:00:11,890 I don't know, Sagara Donna. 3 00:00:13,810 --> 00:00:23,560 A prayer song, we can call it as an organization, as we praise Lord Ganesha before starting a new 4 00:00:23,560 --> 00:00:29,060 work out in a puja at a new venture, getting into a new venture kind of thing. 5 00:00:30,010 --> 00:00:35,900 So it's a good thing to do and perform the puja of an organization. 6 00:00:37,450 --> 00:00:43,450 So we take a Preysing composition of the day. 7 00:00:45,160 --> 00:00:49,070 This is said to Mallory Duggan in the operating room. 8 00:00:50,020 --> 00:00:57,340 Also, all these all these guitars are called all these guitars are called as bloody guitars. 9 00:00:58,520 --> 00:01:06,850 These are composed by saying to put under the sun, who is well-known and who is called as God. 10 00:01:06,910 --> 00:01:11,730 Not a little bit Omahaw, the great grandfather of Canada. 11 00:01:11,740 --> 00:01:12,620 Classical music. 12 00:01:14,680 --> 00:01:21,490 So I'll explain the auto hunnam and our own of this arrogant melody. 13 00:01:23,110 --> 00:01:24,850 Muladi is a genuine raga. 14 00:01:26,050 --> 00:01:28,330 A genuine Arga means what? 15 00:01:28,600 --> 00:01:29,260 A child. 16 00:01:32,230 --> 00:01:33,280 It should child of. 17 00:01:34,600 --> 00:01:45,100 One such that I was out of seventy two parent us what we have discussed before, reading the basics 18 00:01:45,100 --> 00:01:45,500 part. 19 00:01:47,010 --> 00:01:56,350 OK, so this is taken from it's an extract of my go Angola, the 15th, Mercata out of 72, Cattaraugus 20 00:01:56,950 --> 00:02:00,220 in America taskin no Mallacoota system. 21 00:02:02,130 --> 00:02:14,460 So it has certainly Moppa does in Ottawa while getting down in orbit around them, it is Sarda by Margolese, 22 00:02:16,050 --> 00:02:24,180 so it's on hold over Qargha, although I mean a pentatonic scale while ascending. 23 00:02:24,190 --> 00:02:32,460 We get 5N three moppa and up while descending we get six knots. 24 00:02:33,390 --> 00:02:36,080 That is Shotover in scale. 25 00:02:37,080 --> 00:02:39,270 These are the ball. 26 00:02:39,780 --> 00:02:40,950 Got angry. 27 00:02:42,900 --> 00:02:48,430 So the knee, the knee is totally absent in this struggle. 28 00:02:49,560 --> 00:02:52,640 So it will not be using them in this rock'em. 29 00:02:53,880 --> 00:02:58,890 So let me show you how to play this them, how to play the auto on. 30 00:02:59,130 --> 00:02:59,910 And I brought them up. 31 00:02:59,910 --> 00:03:01,320 Dishrag them on the. 32 00:03:03,800 --> 00:03:13,500 As I told you, this is south and here we get a half mile, the first three this is really just, after 33 00:03:13,640 --> 00:03:16,460 all, will be sliding the second finger. 34 00:03:18,530 --> 00:03:22,220 I mean, to say the middle finger of our left hand. 35 00:03:23,960 --> 00:03:27,420 So you need to open one third of this hole, OK? 36 00:03:27,740 --> 00:03:31,890 Make sure that you are not moving this finger, the index finger. 37 00:03:33,200 --> 00:03:34,520 You need to keep it intact. 38 00:03:35,270 --> 00:03:41,420 You need to slide the second finger only into the middle finger of your left hand. 39 00:03:41,990 --> 00:03:47,130 OK, sol re ma, this is Mark. 40 00:03:48,290 --> 00:03:53,270 You can catch ball like this if you are if you are placing a box over here. 41 00:03:54,140 --> 00:04:02,510 As one of my previous lectures about basics, if you are using more like this, you need not place any 42 00:04:03,080 --> 00:04:04,280 piece of action over here. 43 00:04:04,660 --> 00:04:08,100 OK, you can just use use the fluid as it was. 44 00:04:08,930 --> 00:04:13,070 OK, so sa re ma. 45 00:04:14,430 --> 00:04:28,500 But again, that is a half note, this is always the one ball and that same likely unit to slide the 46 00:04:29,250 --> 00:04:31,380 middle finger off your right hand. 47 00:04:31,930 --> 00:04:41,010 OK, you need to open the hole of your right hand middle finger for about one third, one third abortion, 48 00:04:41,370 --> 00:04:41,800 OK? 49 00:04:42,570 --> 00:04:44,160 You need not open more than that. 50 00:04:44,190 --> 00:04:49,620 If you open more than that, it is found again, the other node, which is not dead in the diagram. 51 00:04:49,890 --> 00:04:55,860 OK, which sounds around on so ba da sock. 52 00:04:56,700 --> 00:04:57,470 I'll show it again. 53 00:04:57,690 --> 00:05:09,990 So I'll read Mark all you can catch more like this also unconventionally and Bob the lies half and again 54 00:05:10,650 --> 00:05:13,110 same as re sop. 55 00:05:14,310 --> 00:05:16,110 This is ascending order the order. 56 00:05:17,430 --> 00:05:19,100 Now let us talk about that. 57 00:05:19,290 --> 00:05:27,450 This morning when I was the one them saw the DA again half not Paul. 58 00:05:28,620 --> 00:05:37,310 Mark got while listening, we have gone bottom in this survival, right again, if not inside. 59 00:05:38,380 --> 00:05:42,570 OK, so let us see how it was handling on the floor. 60 00:05:55,530 --> 00:05:56,700 This is set him up is. 61 00:06:12,290 --> 00:06:13,930 This is set up by Garrison. 62 00:06:15,920 --> 00:06:18,200 This is not one of them. 63 00:06:39,520 --> 00:06:47,140 While practicing, if you can sit in front of a mirror, you can comfortably check all your fingers 64 00:06:47,440 --> 00:06:55,540 where you are placing how you are angry or you are catching the how you are playing all the notes along 65 00:06:55,540 --> 00:07:00,060 with the different permutations and combinations, you can just check it. 66 00:07:01,150 --> 00:07:05,950 If you go wrong, you can comfortably get them corrected. 67 00:07:06,820 --> 00:07:07,130 OK. 68 00:07:07,840 --> 00:07:15,180 Because when you are practicing like this, you're going to blow it here simultaneously. 69 00:07:15,190 --> 00:07:16,920 You cannot look at your fingers. 70 00:07:16,930 --> 00:07:17,200 Right? 71 00:07:18,940 --> 00:07:21,680 OK, if you look at your fingers, you're going to blow over here. 72 00:07:22,660 --> 00:07:24,910 So it's multitasking kind of thing. 73 00:07:25,480 --> 00:07:33,820 So it's better to sit in front of a mirror to help yourself in fixing all the mistakes. 74 00:07:34,430 --> 00:07:40,360 OK, so I just to get them this is as I said before. 75 00:07:42,040 --> 00:07:46,960 So let me show you a few lines of this composition. 76 00:07:48,620 --> 00:07:57,490 One, two, three, four, five, six, alarm goes this. 77 00:07:58,760 --> 00:08:06,590 First we get them taking a bit and waving your hand, and the next we get it. 78 00:08:06,670 --> 00:08:09,470 Uterus of means what? 79 00:08:10,040 --> 00:08:17,720 As I told you before, we didn't the basics, basic exercises like look at his forearms. 80 00:08:17,990 --> 00:08:18,290 Right. 81 00:08:19,040 --> 00:08:23,390 So we get one rhythm and a leg. 82 00:08:24,680 --> 00:08:31,970 So it comes out to be total six in number one, two, three, four, five, six. 83 00:08:32,210 --> 00:08:36,920 One, two, three, four, five, six. 84 00:08:39,080 --> 00:09:00,020 Small ball that sa sa re re sol da ba ba ba ba ba ba ba ba ba ba ba ba ri sa. 85 00:09:02,150 --> 00:09:05,480 Likewise it goes like this. 86 00:09:05,480 --> 00:09:06,170 We need to play. 87 00:10:15,900 --> 00:10:22,930 So these are five lanes that we get within the get them within the first item, obviously going another 88 00:10:22,990 --> 00:10:29,250 Cinderella, our current target, whether or the numbers that I like when we've got a massive amount 89 00:10:29,250 --> 00:10:30,450 of lumber that I 90 00:10:33,390 --> 00:10:41,610 saw, the same five lanes get repeated again and again four, three times continuously. 91 00:10:43,350 --> 00:10:50,120 Among all these five lanes, the first two lanes of Liddick gets changed every time. 92 00:10:50,820 --> 00:11:00,340 And the last three lanes means the third, fourth and fifth lanes are there remain same as the lyrics. 93 00:11:00,360 --> 00:11:04,320 Also, they remain same as both of them in both aspects. 94 00:11:04,770 --> 00:11:14,820 I can spot from inside the notation and lyrical part is the same, but for the first two lines there 95 00:11:15,180 --> 00:11:17,070 is a change within the lyrics. 96 00:11:17,760 --> 00:11:24,570 So we need to repeat it four three times and repeat all these five lines four, three times. 97 00:11:25,110 --> 00:11:26,400 That's all we finish playing. 98 00:11:26,850 --> 00:11:30,360 The first very first item of Willagee does. 99 00:11:31,270 --> 00:11:34,700 OK, so we will play it once again for the second time. 100 00:12:43,900 --> 00:12:47,380 No, we need to play all these lines for third time. 101 00:12:48,100 --> 00:12:52,870 That's how we finish the first item of all this for Vytas. 102 00:14:01,790 --> 00:14:05,480 This is the end of to get them off bloodedness.